Sunday, February 6, 2011

Guest Poet: Donal Mahoney

Crackling Again

   Rogers Park, Chicago

This brilliant winter morning finds
waves of snow on every lawn
and red graffiti dripping
from the walls
of Temple Mizpah
once again
as down the street
stroll ancient men
who every morning
shuffle here for prayer.

As usual, they're lost
inside old overcoats,
their collars up,
their scarves too long,
their yarmulkes,
as always,
in diffidence
askew.

This morning, though,
they don't go in.
They shuffle near the curb
like quail.
They can't believe
the goose-step scrawl
on every wall.
They know their world's
awry again, an encore
of the chaos left behind
when they were young.

The good thing is,
Chicago's better now
than was Berlin back then
even though the temple walls
make clear this morning that
someone's struck another match
and the ovens of Auschwitz
are crackling again.


In Memphis On Business

this belle like a feather
floats table to table
bearing menus and water,

stunning this Yankee
in Memphis on business
whose host swears the South

has many more like her.
Up North, the Yank says,
young ladies like her bump tables,

slop coffee in saucers.
No wonder this Yankee
in Memphis on business

smiles when again
this belle like a feather
floats table to table

bearing menus and water
as if she were certain
the earth isn’t there

and the sky and the air
are highway enough for a belle
bearing menus and water.


© Donal Mahoney 2011

Donal Mahoney has had poems appear in variety of print and online publications, including The Wisconsin Review, The Kansas Quarterly, The South Carolina Review, The Beloit Poetry Journal, Commonweal, Public Republic (Bulgaria), The Beatnik (U.K.), Revival (Ireland), The Istanbul Literary Review (Turkey), Calliope Nerve and other publications.

Saturday, February 5, 2011

Guest Poet: A.J. Huffman

A Different Kind of Angel

She rests
her wings of red satin
against the wall
in the dark
that matches
the links of her gown
and the stars in her hair.

They say her beauty
holds
its own dominion.
A perfect salvation.
Immune
to every kind of touch.

But the glare
around her ankle
is fake.
Smaller than it looks.
And flawed

by the blue
flaking from her fingers.


Learning to Choose Exile

The road to hell
is paved.
In good.
In gold.
And every stone I touch
runs wild.
A molten river
between my toes.
Moving me closer
to the edge.
As I slowly sink
through the floor.


Into the Locked Box of Unbeing

He opens the cage.
And finds her
waiting.
Wearing only what is left
of her skin.
Like diamonds
burning for his touch.
Knowing
that if he looks up
she is smiling.
Behind the shadow
of those eyes
he has trained.
To watch
as the hinges snap them,
once again,
into place.


© Amy J. Huffman 2011

A.J. Huffman is a poet and freelance writer in Daytona Beach, Florida. She has previously published her work in literary journals, in the U.K. as well as America, such as Avon Literary Intelligencer, Eastern Rainbow, Medicinal Purposes Literary Review, The Intercultural Writer's Review, Icon, Writer's Gazette, and The Penwood Review.

Friday, February 4, 2011

Guest Poet: Joseph Farley

Chinatown to Chinatown

The Ghost Dragons went to war
with rival gangs
to control the lucrative traffic
in people between cities
on the knock off buses
that rivaled the big names
like Greyhound and Trailways.

Stories of knifings in bathrooms
at rest stops
along the New Jersey Turnpike
scared the locals into using
yet another knock off
as they journeyed
from Philadelphia to NYC.

Somehow differences were settled.
The FBI stopped following the buses,
and restaurant workers and shoppers
returned to crammed seats
and unsafe vehicles
spewing blue smoke
as they made the two hour ride
from Chinatown to Chinatown
unconcerned about anything
and thankful for
the cut rate fare.


Working in the Crematorium

It is a simple life.
Check the flame,
Check the fuel,
Put the body in
And let it cook
To ash,
Then turn off
The fire,
Sweep out
The white powder
And maybe a tooth,
Empty the dustpan
Into an urn.
It's a day's pay,
And makes you conscience
Rest easier,
Robbed of
Any fear of hell.
Good, bad, indifferent
All ending in flames.
The beer after work
Is cold
And goes down fine
While eyes study
The dancers
Before opening
Your wallet
For a five.


In the Dark Hours

The sun is plunging
But I’m not there.
People are walking
without a care,
but I’m where you are,
in sunlight or shade,
I’m there beside you
Chasing clouds away.
When it rains
I’m your umbrella.
When it snows
I keep you warm,
And when the sun glows
Hot on your skin
I’ll be your cool water
And everything.
I won’t let the dark dream
Take you away,
Cause with me here
I want you to stay.
I’ll be your sunshine.
I’ll be your shade.
I’ll keep you happy
On the cloudiest day.


© Joseph Farley 2011

Joseph Farley edited Axe Factory for 24 years. His books include Suckers, For the Birds, and Longing for the Mother Tongue (March Street Press).

Thursday, February 3, 2011

Guest Poet: Mike Berger

Cutting

Blood oozes out; she smiles. Her
demon depression retreats. She
knows just how to cut; long and
vertical, and not too deep. Slice
just enough to make the blood flow.

She hides her bloodletting behind
long sleeves as she hides from
the darkness inside with a knife.

She sharpens the knife so it won't
bruise or tear. She stops the bleeding
with a rag. She puts the bloody rag in
a plastic bag and throws it in a dumpster
on the way to school.

She tells herself she is worthless. She's
done it so many times she's come to
believe it. The cutting stops the pain, but
too soon it returns.

She struggles each day through school
and can't wait to get home for another
blood letting.


Run Away

My old man was mean as hell...
He wanted to run my life.
At sixteen I ran away to fly
like a wild bird. I hit the streets
and soon discovered it was
an ugly place. There were no
pleasant melodies. The only
birds were vultures waiting
to pounce.

I fell into an ugly world. It was
called “A bed for a bang.”
Occasionally one of the vultures
would share a dobby and for
several hours my tears would be
gone. I hated being mauled
drooled upon and screwed just
for a place to sleep.

I stayed with Brad for three weeks;
things were looking up. Then came
the time I couldn't perform and he
threw me out. I don't know what I'll
do when winter comes. I don't have
a coat I guess I'll have to find a
pimp. At least I’ll get paid for what
I’m doing...

© Mike Berger 2011

A member of the Academy of American Poets, Mike Berger, Ph.D. is the author of two books of short stories. Three of his humor pieces have won awards. His work has appeared or will appear in sixty-five journals, including AIM, Still Crazy, First Edition, Stray Branch, Mid West Quarterly, Evergreen and Westward Quarterly. His work has appeared internationally in Australia, Portugal, Mozambique, England, Canada, and India. He has been writing poetry for two years, and is a winner of several poetry contests. He has published three chapbooks, Raw, and Lighten Up by CC&D Press, and Smart Assed World by Writing Raw. A fourth chap is due out.

Wednesday, February 2, 2011

Guest Writer: Paul Beckman

Argyle Nights

“If you loved me, you would fight with me – you would at least argue with me – you wouldn’t just sit and stare,” my late wife Vanessa would say. “Don’t you care enough to argue – to raise your voice? What kind of man doesn’t have a strong point of view? Or any point of view? I’ll tell you,” she would say. “A man with no love in his soul. A man with no soul. That’s who. That’s who you are.”
Before that period of our life Vanessa would say to me, “Stop fighting with me all the time. Can’t you ever go along? Why does everything have to be a debate with you? If you loved me, really loved me, you would let me have my way once in a while instead of fighting me at every turn.”
Neither approach worked with Vanessa. I tried to change – I did change; but what good did it do? I was wrong no matter which way I turned and on August fourteenth everything began to change. Once the change began to happen it couldn’t be undone. I didn’t know it then, nor did Vanessa. On August fourteenth I began building my fence.
I was sitting in our living room on my lounger being berated by Vanessa for whatever, when off in the distance, through the living room window I saw a stack of white pickets piled high in large neat piles. As her voice droned on I visualized myself walking across the yard to the pile taking a picket and returning it to the living room. Vanessa was continuing her harangue when I came back, and just before I sat down in my lounger I looked at Vanessa, picked up a hammer that happened to be lying on the floor, and hammered in my first picket between us. And all of a sudden her voice was not quite as grating.
The next time Vanessa got on my case was in the supermarket. I walked away and found the pickets section, selected another and turned to face Vanessa. I hammered it in next to the first picket.
I had not planned it this way, but somehow I knew that once the picket fence was complete, our marriage would be over. Oddly enough, I never thought about the picket fence or visualized it unless Vanessa was bothering me. And then on a two picket day I could see the pickets in the horizon of my peripheral vision taking shape as a fence from my right. The pickets proceeded from right to left like the Kaddish. One day there were a few lonesome pickets and then they became the makings of a fence. I was fencing Vanessa out of my life or vice versa.
We had our ups and downs and at one point we went through a very rough period that brought the fence midway. This was followed by a long, quiet, loving time when no pickets were added; but make no mistake about it – I never considered removing any. These good times were just temporary – I knew.
Even though I never thought about the fence at other times, whenever I saw Vanessa, the white picket fence was between us in some stage of construction.
For a while I feared that I was turning into my brother. He was keeping a loose-leaf notebook on stupid, irritating, and annoying things that his wife did. Once the notebook was filled he planned to leave her. “A man should only have to take so much in his life,” my brother said, “and I have decided that my allotment is this loose-leaf”.
He carried with him at all times a small pocket sized spiral and each evening he would sit in his lounger with a glass of Old Overholt and transfer his daily notes into the loose-leaf. Often his wife was right in the room with him, knitting or watching TV, and if she happened to say something stupid, irritating, or annoying my brother would shake his head and add it to his list. Sometimes he only wrote a sentence and at other times he wrote pages. He often offered to let me read his loose-leaf so as to gain my sympathy for his plight, but I told him I’d wait for the end and read it as a novel.
My brother’s wife – she was stupid. She should have let him finish the book and divorce her so she could get on with a more normal life. She would sneak into his desk and add blank pages to the loose-leaf every so often. She should have been ripping them out instead.
My brother was critical and compulsive and very vindictive and I tried to relate his Loose-leaf Notebook to my White Picket Fence. I came to the conclusion that there was no association whatsoever. My brother was off the wall. And I, like his wife, was the victim.
Incredible as it may seem, my brother made no secret of his journal. He told anyone and everyone who would listen, never understanding what a bad light it shed on him. I told no one of my fence.
One day I came home late from work, bursting with good news about business, but Vanessa would hear none of it. She was irate and from the top of the stairs threw my clothes over the railing and into the hallway. With each toss a picket went up.
And that night I finished my fence.
The next day Vanessa was dead.
I moved all of my belongings into the den and guest room and did what any good Jew would do for the dead. I stayed home from work and sat Shiva – mourning for a week. I tore my shirt, didn’t shave, wore a black arm band, and covered the mirrors with sheets. I took the pillows off the chairs so I would not be comfortable and I said the Kaddish morning and evening.
The next week, a widower, I went back to work. Nothing else changed in my life except that now when I came home from work and Vanessa talked to me I didn’t have to pay any attention because she was dead. Period. Oh, Vanessa carried on for a while – even refused to make my meals and do my laundry, but I held my ground and said nothing. After all, what good does it do to argue with the dead – especially if you couldn’t argue with them when they were alive.
Vanessa came around. It took about six months but she finally realized that I was never going to speak to her again and for me she was no longer living. She went back to cooking and cleaning for the two of us. We even went to some family functions together and never spoke. Vanessa never liked me that much anyway and was probably just sore that she hadn’t thought of it first. Divorce? Don’t ask. Divorce was out of the question.
Of course the only one in my family that said anything to me at all was my brother. “Are you nuts?” he asked. “You just can’t declare someone dead and go on living with them.” “Why not?” I asked him.
My brother looked up and asked, “Do you plan to date?”
Vanessa and I had been married for eighteen years and we, like many other couples, had fallen into a regular routine. She would lay out my clothes for me every morning while I was in the bathroom and I would wear whatever she selected. Both of us agreed that her taste was superior to mine in the world of fashion. Early on in our marriage, strictly by coincidence, she had put out argyle socks for me on a day that we had made love. Argyles had become our signal and it was always Vanessa who initiated the schedule. I had not given much thought to lovemaking since her death, so finding the argyles set out one morning kind of threw me off kilter. I didn’t know how to react or what to expect.
It wasn’t just argyles and jump in the sack night. There was a ritual – even for us. A nice meal with a glass of wine and then I would pour two glasses of wine and Vanessa would bring them to our respective nightstands while I showered. She would sip half of hers and then while she showered I would sip half of mine. After we made love we would lie next to each other, bodies touching, holding hands and sip the rest of our wine and go to sleep.
I didn’t know what to expect this argyle night. At first I thought that Vanessa had put out the argyles by mistake but Vanessa doesn’t make those kind of mistakes. I came home from work and could tell by the smells when I entered the house that it was an argyle night. Brisket and potatoes air met me at the door, and for dessert Vanessa had made her apple strudel. We drank a couple of extra glasses of wine with dinner, but even that didn’t loosen my tongue enough to talk to a dead woman. I lingered longer than usual because of my uncertainty on how to end the evening.
Force of habit had me pouring two glasses of wine afterwards and I didn’t know if they were going to her room, my room, one in each or what. Vanessa, not surprisingly, took control.
She carried the glasses to my room, formerly the guest quarters, and ran my shower. I soaped with anticipation and not wanting to seem too eager I took my time in the shower. When I came out I saw only my glass of wine on the nightstand.
Vanessa was not there. I lay on the bed for quite a while sipping my half glass of wine figuring that she was showering and getting ready. I waited for her return but after a while it became apparent that she wouldn’t be coming back. I finished my wine, fell asleep and dreamt of Vanessa and the argyles.
In the morning I dressed with the clothes that Vanessa had laid out for me. For breakfast she made corned beef hash and poached eggs, my favorites, just as she always had after an ARGYLE NIGHT. And she never even looked at me as she sipped her coffee, nor said a word.

© Paul Beckman 2011

Paul Beckman is a real estate salesman, a writer, snorkeler, traveler and photographer. Sometimes his fiction writing sneaks into his real estate ads.
Some publishing credits: THE CONNECTICUT REVIEW, ONTHEBUS, SHORT STORY LIBRARY, 5 TROPE, THE SCRUFFY DOG REVIEW, FICTION WAREHOUSE, WEB DEL SOL, LONG STORY SHORT, PITTSBURGH FLASH FICTION GAZETTE, RIVERBABBLE, EXQUISITE CORPSE, COLLECTEDSTORIES.COM, and POSTCARD SHORTS.

Guest Poet: Hal O'Leary

Happiness

Since time began
The search has been for happiness.
Philosophers and seers,
Psychologists and bards,
Consensus cannot find.
And we are left to fend and find our own.

Our own!
And there-in lies the clue.
For each of us is born unique,
With different tastes and preferences
With different possibilities
So if we're to find our happiness,
We must discover what they are.
I'm minded of Saroyan's thought
It takes a lot of practice
For a man to get to be himself.
So look to that to make a start
Discover what your talents are.
And in the exercise there-of,
You're sure to find a happiness
That truly is your own.

It's Do and Be, but first,
To Do, you've got to know yourself.
Then do what you were meant to do.
Do whatever's right for you,
Then make the effort to become
The very best at being you
The very best that you can be,

One last note
The sources of our happiness.
There are no more than two,
Anticipation is the first,
The other's recollection
The first takes precedence in youth
Replaced with recall as you age.

© Hal O'Leary 2011

Hal O'Leary is an eighty-five year old veteran of WWII. Having spent a life time in the theatre and as a Secular Humanist, He believes that it is only through the arts that we are afforded an occasional glimpse into the otherwise incomprehensible. Hal is the recipient of an Honorary Doctor of Humane Letters degree from West Liberty University.

Tuesday, February 1, 2011

Guest Poet: Gita M. Smith

Tonton Macoute

Baby Doc Duvalier, round-faced and syphilitic,
   rode into Port-Au-Prince in a Cadillac Escalade
   with two inches of expensive shirt cuff showing.

He waved to the throngs, his soft hands making semicircles,
   his hair pomaded, looking like money.
From inside the armored car, one starving sugar cane worker
   looked just like the next.
My little people, he said, my little ones. They still love me.
My country needs me, he told reporters who had gathered
   in the rain at the Palace of Justice
   where he stood in shined shoes and bespoke suit.

In the streets, people shouted his name and burned fires.
A distant drumbeat rolled towards the capitol. Was that thunder,
   a gathering army, or the dead rising from their shallow graves
   to demand their pound of flesh, at last,
   from the robber son of robber barons?

Once upon a time, the people cowered at the mention of the Tonton Macoute.
But after floods, earthquakes and hurricanes,
   what could the Haitians possibly have left to fear?
Baby Doc, who once ate blood oranges while standing over
   the corpses of his enemies, smirked for the cameras.
The world shuddered.


© Gita M. Smith 2011

Gita Smith is a career journalist, whose work has appeared on The Sphere, Fictionaut, Pen10, Not From Here Are You (The NOT), and her reporting on the South appears at LiketheDew.com, a news site.