Showing posts with label harris tobias. Show all posts
Showing posts with label harris tobias. Show all posts

Sunday, April 7, 2013

Harris Tobias

THREE POEMS

A Ship of Bones

Lay the old man down, lay him down
His wretched bones are dry and worn
Give the ferryman a coin or
Let him drown
These brittle bones won’t walk again
Lay him down lay him down
Make paddles of his hands
Use his skull to bail
Rig his thigh bones for a mast
And his skin to make a sail
Weave his hair for cordage
Use his knuckle bones for dice
Kiss him once upon the lips
And kiss his eyelids twice
Let him go, let him go
He’s done with life

Lay him down, lay him down
The old man’s gone ahead
To that strange shore
Where the beach is dark
Where the dead are moored
Let him go, lay him down
He cannot help us anymore

Monkey Shines

If people were like bonobos
Or so at least the story goes
We'd all live peacefully in trees
Eating fruit and picking fleas
But humans, filled with genes recessive,
Have evolved much more aggressive
Behaving more like chimpanzees
Driving rivals to their knees
Our aggression knows no bounds
In the air or on the ground
And if you think we're not that simian
Just ask any Palestinian
Bombs and bullets on their heads
Drive them from their Arab beds
You see them on the evening news
Firing rockets at the Jews
Just another struggle sadly
A case of monkey's behaving badly

Tangerines

Whenever I am despondent
And wondering what life means
I sit in my recliner
And peel some tangerines

Now I know that life’s a mystery
And more senseless than it seems
But somehow it’s not so empty
When I’m eating tangerines

I used to sit and ponder
Why God is messing with my dreams
But now it’s not an issue
I just worship tangerines

Now you may think me a blasphemer
Someone wrapped in petty schemes
But I’m nothing but a dreamer
And not given to extremes
But if I needed a redeemer
I’d choose tangerines

© Harris Tobias 2013

Harris Tobias, one of MuDJoB's most frequent contributors, herewith helps us celebrate our third anniversary.

Thursday, January 24, 2013

Harris Tobias

THE SAMARITAN

   I was wondering about the old man. I hadn't seen him for several days. He was usually as regular as clockwork walking that little dog of his. What was that dog? A chijuajua I guess. That would make sense since he was Mexican. Or am I stereotyping? That triggered a furious internal debate about prejudice and racial factors and how they influence our decisions. I thought about actually going over there and seeing if the old man was all right but that would mean actually invading someone else's space and I don't think I was ready to take on the heavy mantle of Good Samaritan without some serious thought.

   So instead of going over there, I sat in my thinking chair and made a list of the pros and cons of getting involved with strangers. That triggered a whole inner discussion about list making. I wondered whether I should list the pros first or let my natural pessimism take over and do the cons first. I have a tendency to favor the cons but then I feel bad for the pros because the mean old cons are such bullies. Then I had the idea of writing the pros and cons of visiting my neighbor on 3 x 5 cards in the order they occurred to me. That way I wouldn't be concentrating on the negative and influencing the outcome. It took me a day or two to get the cards but I was determined to do a proper job. It was worth the extra effort.

   After another day of scribbling reasons for and against being a good neighbor, the decision seemed weighted pretty heavily in favor of going over there. Then I remembered the little dog. What if the man needed hospitalization? Then I'd be responsible for taking care of the dog. That created a whole other set of problems which I had to work through. After several hours of thinking, which digressed into animal rights issues and a close examination of comparative religion, I reached a decision. I would go over there first thing in the morning and see if the old guy was okay.

   I got there just as the paramedics were loading the body of the old man into the ambulance. "What happened," I asked someone in the small crowd of onlookers.

   "It looks like he fell a couple of days ago. He must have been lying there for days. Finally he just died. They say he probably tripped on the dog's leash. The dog was hurt too. They both must have suffered terribly."

   Well, that was that. I felt good that I had made the right decision to help but I felt bad that I was too late. That got me thinking about the dualistic nature of good and evil and the nature of suffering itself. It was an exciting morning. I'm inspired to go back and blog about it. There are a lot of lessons I can teach.


© Harris Tobias 2013

Harris Tobias was raised by robots disguised as New Yorkers, and despite an awkward childhood he learned to read and write. He has published novels, The Greer Agency and A Felony of Birds, to critical acclaim, short stories in Down in the Dirt Magazine, Literal Translations, Electric Flash and Ray Gun Revival, and is a favorite here on MuDJoB. He currently lives in Charlottesville, Virginia.

Saturday, November 17, 2012

Harris Tobias

OTTO & THE CLOTH BABY

OTTO and the Cloth Baby were just changing back into civilian dress after yet another astounding super caper involving an international crime cartel whose attempt to smuggle drugs in hollowed out cucumbers met with a stunning defeat. The two Department of Agriculture super heroes were going off duty and, hopefully, getting some much needed R & R.
They had changed into their secret identities: Otto as Clanston Mudridge, wealthy bachelor and gay man about town; and The Cloth Baby as his illegitimate son, Drone.
“You know I’m glad that caper’s over Dronie baby ‘cause I got a heavy date tonight with Troxine.”
“Don’t forget to to polish yer boots, Otto. We might be needed again any second and yours have cucumber all over them.” The way he said it made you want to push his face in. Yet it was just that pushy obnoxiousness that made him one of crime’s greatest foes.
Little did our heroes know as they parted company for an evening’s diversion that sinister forces half a world away were plotting a nefarious scheme involving avocados.

So they parted company and went to their separate perversions, Otto to his companion Troxine and the Cloth Baby to hang around the turnstiles in Queensboro Plaza.
They were about their diversions for less than two hours when the first call came in—a low humming in a poorly implanted device behind their left ears, the gizmo’s unsightly bulge poorly disguised to look like flesh. It took the Cloth baby only six minutes to retrieve his costume from his locker in Grand Central Station, don it and run panting up the nineteen flights of stairs to meet Otto in front of Delany’s office.
“You’re late, schmuck” said a scornful Otto. “What happened this time?” The sweating Cloth Baby still managed to look magnificent in his orange tights and matching cape. Otto stood in sorry contrast in his sagging blue uniform bunched and wrinkled.
“I’m late because I took the trouble to get the correct uniform, you stupid ox.” The Cloth Baby gave Otto a withering sneer. It made Otto want to pound his partner into something resembling strawberry jam. Instead, he just just gritted his teeth. The Baby was never wrong about the uniform. Otto had simply put his old one back on after a quick tumble with Troxine. It still reeked of cucumber and trans-gender sex.
Besides, there was no time to bicker, Delany was buzzing them in. Ralph Delany, chief of Agricultural Security for the Northeast Region, welcomed the legendary duo into his office. Delany’s desk was heaped high with produce—carrots, celery, cabbages, and leafy greens. In fact, there were mounds everywhere in Delany’s office. It looked like the produce section of a large supermarket.
“Come in quickly you two and close the door,” an obviously agitated Delany said. “Boy, am I glad to see you guys.
“What’s all this?” asked the Cloth baby gesturing around the room.
“They’re vegetables,” Delany replied, “and they’re all fakes.”

© Harris Tobias 2012

Harris Tobias was raised by robots disguised as New Yorkers, and despite an awkward childhood he learned to read and write. He has published novels, The Greer Agency and A Felony of Birds, to critical acclaim, short stories in Down in the Dirt Magazine, Literal Translations, Electric Flash and Ray Gun Revival, and is a favorite here on MuDJoB. He currently lives in Charlottesville, Virginia.

Wednesday, January 4, 2012

Harris Tobias

The Finger

The Poindexters were happy to be home. Janet was exhausted. She'd planned the trip to Europe down to the last detail. It was something she'd dreamed of doing for so long but at 65 she underestimated how strenuous it was going to be. Milton, on the other hand, was happy for a totally different reason. He spent the entire two weeks with a nagging, anxious feeling that he was being followed. Something menacing was stalking him. Often he'd turn around to see if he could catch sight of who or what it was. Of course there was never anything there. He never mentioned his unease to Janet. This was her dream vacation, after all, and he didn't want to spoil those few precious days on the continent with his paranoia. Janet was happier than he'd seen her in years as she marched them from castle to palace to museum. Eight cities in two weeks didn't leave a lot of time to get to know a place, but they each had their own cameras and snapped away trying to record every sight.
Now they were home and the anxious feeling was gone. The bags were unpacked and put away in the garage, the film was dropped off at the drugstore and the familiar routine of their lives was restored. A few days later, Milton picked up the developed prints from the pharmacy.
When they got them home, he and Janet spread them out on the dining room table, all four rolls worth. It was immediately obvious that Milton was a poor photographer. Many of the pictures he took had a big pink blob somewhere in the frame. When Milton saw them that anxious feeling returned.
"Oh Milton, don't you know enough to keep your fingers away from the lens?" Janet chided him. Milton shrugged and tried to laugh off his apparent incompetence. Janet sighed one of her "what can you do with a man like that" sighs and proceeded to put the pictures, both good and bad, in an album. It was a cherished record of their trip dragged out at the slightest provocation to show their friends.
Everyone got a kick out of Milton's inept picture taking. They all made jokes about the big pink blob that traveled with them throughout Europe but Milton wasn't convinced that the big pink blob was entirely his fault. He might not have been the best photographer but he knew how to use his camera and he could swear he knew how to hold it. But there it was lying across a roof top or lurking behind a building or down one of those marvelous cobbled streets in some medieval town. It struck Milton as odd that the finger always appeared on the edge of the picture. He studied it closely looking for proof that it wasn't his finger but proof was as elusive as the blob itself.
Matters rested there for several weeks until one fine summer afternoon when friends were gathered around the pool and Milton, with a scotch in one hand and his camera in the other was snapping pictures of guests and grandchildren drinking and cavorting in the sun. He caught a whiff of that almost forgotten feeling, that ominous presence he had in Europe. Here was a chance to prove to himself if there was something to his paranoia or not.
He took special care how he held the camera and how he placed his hands. He took a few random shots of nothing in particular to see if he could catch the finger off guard. He could hear Janet teasing him about those shots even as he took them. "What's this, a shot of the shrubbery?" she‘d probably ask.
When the photographs returned from the drugstore, Milton couldn't wait to see them. He eagerly shuffled through the envelope in the middle of the store. Sure enough, there was the same pink blob. It wasn't in every picture but it was in one or two of them. Especially the unplanned, random shots of shrubs and trees. On casual examination it looked like a finger. But if you really studied it with a magnifying glass, you could see that it wasn't a finger at all. What it was exactly, Milton didn't know but he was determined to find out.
In the following weeks, Milton became obsessed with capturing the finger on film. He'd taken to calling it "the finger" for lack of a better name. Everyone referred to it as Milton's finger anyway. He faced a lot of good natured joking from Janet but Milton was determined to get to the bottom of the mystery. He bought himself a better camera, one with interchangeable lenses.
"Again with the camera?" Janet would say. "We need more pictures of your finger? And what's with the gloves?"
Milton explained, "I'm making photography my hobby. The gloves keep me from smudging the lenses."
He shot a dozen rolls of film before he had his proof. He'd taken to wearing white gloves when he went out picture taking. That way he would know that if it was indeed his finger it would be white but if it was "the finger" it would be pink. Milton roamed the parks and towns near his home looking for subjects and snapped away. His picture taking improved considerably. When the finger appeared it was always pink.
"Got you," Milton said looking through the latest batch of prints and finding one with a big pink blob in one corner. He tossed away the rest of the prints even though some were excellent compositions. He was elated. Here at last was proof that he wasn't being paranoid, proof too that it wasn't his fault. He didn't expect anyone would believe him but he now knew for sure—"the finger" was real and it was following him.
He rushed out of the drug store with the print in his hand. He was going to show Janet what he'd discovered. He was never seen again.

© Harris Tobias 2011

Harris Tobias was raised by robots disguised as New Yorkers. Despite an awkward childhood he learned to read and write. To date Mr. Tobias has published two detective novels, The Greer Agency and A Felony of Birds, to critical acclaim. In addition he has published short stories in Down in the Dirt Magazine, Literal Translations, Electric Flash and Ray Gun Revival. He currently lives and writes in Charlottesville, Virginia.

Wednesday, December 21, 2011

Harris Tobias

A Chanukah Story

It was the coldest Chanukah anyone could remember. Icicles hung from the eaves and a cold wind blew the snow into drifts on the lawn. It was the last night of Chanukah and the fully lit menorah would do what it could to compete with the multi-colored twinkling displays of Christmas lights on all the other houses in Stony Glen Estates.. As the subdivision’s only Jewish family, little Sarah Greenstein took special pride showing the menorah in the living-room window. The menorah was a heavy silver antique passed down, like her Jewishness, from her Mother. Unfortunately, it required a rather large odd sized candle which the Greenstiens had to special order many weeks in advance from a Judiaca store in Brooklyn. The candles were kept in the drawer with the tablecloths until they were needed.
This is how Chanukah had been for all of Sarah’s nine years. But this year something had gone wrong with the candle order. The count was wrong and the box from Brooklyn was short the nine candles needed for the last night. Instead of containing 44 candles, which covered all the nights of Chanukah, the candle box was completely empty after the seventh night. Not only were there no special candles left, there were no candles in the house at all and the storm outside made driving to the store impossible.
The mood inside the Greenstein’s house was as dark as the menorah. All around them the neighbor’s houses twinkled and flashed with Christmas color. Some houses had illuminated Santas and sleighs on their roof or lawn, some had reindeer and wise men, and one had a huge inflated snowman. Everywhere there were lights; cascades of lights hung off the roofs and engulfed every shrub and tree. The menorah’s slow build up to its fully lit splendor was all but lost in the Christmas glare.
Alas, it appeared that there was nothing to be done to salvage the situation. The festival of lights was headed for a cold and dark conclusion. Sarah sat in her room disappointed and stared out her window. The neighbor’s colored light show reflected off the icicles hanging from the eaves giving them the appearance of colored rods. Maybe it was that colored glow that gave Sarah the idea that saved this story and her final night. Running down the steps she ran to her father and told him her idea.
“Put icicles in the menorah”? her incredulous father asked. “I don’t think that’s a very good idea. They’ll only melt and make a mess”. But Sarah begged and pleaded until her father put on his winter coat and went to fetch the ladder from the garage. In a few minutes he returned with a pail containing nine icicles just about the size of the menorah’s candles. Sarah set them in their sockets ready for lighting. It looked a little strange but there was no denying it had a certain charm about it. The family gathered around the curious candelabra, joined hands and said the Chanukah prayer. Father even went as far as to light a match and touch it to the shamus, the center candle that lights the others.
No one was more surprised than the Greenstein’s when the icy shamus held the flame just like a real candle. In a few moments all the ice candles were lit and
the menorah burned in full glory. Not only did the menorah burn all night long but, if that weren’t miracle enough, the storm knocked out all the power in Stony Glen Estates plunging it into darkness. The Greenstein menorah was the only light anyone could see for miles around.

© Harris Tobias 2011

Wednesday, December 7, 2011

Harris Tobias

Blang!

Blang! God damn this ground is hard. It’s like steel. The damn pick just bounces off the permafrost? It’s like steel I tell you.
Blang! You hear that? Steel. You try digging in frigging permafrost. No one can.
Blang! And here it is freaking Christmas eve. What the hell am I doing working on Christmas eve anyway?
Blang! At this rate it will take a week to dig the grave. just look at the size of that guy, will you? Just my luck to have to bury a giant fatty.
Blang! There’s got to be a better way. I wish I had some dynamite or some of that High Explosive crap we use. That would make short work of this job. Yeah, dream on. Like anyone cares about making my job easier.
Blang! Who test fires a missile on Christmas eve anyway? What, they don’t have anything better to do? Don’t they have families? Sure they have families. They’re home with their families right now decorating the tree and drinking freaking egg nog while I’m out here freezing my ass off burying some fat guy. It’s so not fair.
Blang! Will you look at that hole? I’ve been banging away for almost an hour and I couldn’t bury a frigging tea cup. Damn this ground is hard.
Blang! Well, I guess things could be worse. They can always be worse, right? Never better, only worse.
Blang!
Blang! Phewwww. Man this is hot work. Look at that poor schmuck. Dead. Dead as a doorknob. What the hell was he doing out on a night like this anyway? Flying around in restricted airspace is asking for trouble?
Blang! Well it could have been worse. At least I don’t have to bury the freaking reindeer.

© Harris Tobias 2011

Wednesday, August 31, 2011

Harris Tobias

The Element of Ritual

From the NY Times May 4, 2010
...one idea would be to deliberately increase the element of formal ritual in medicine. Studies of “alternative” therapies show that strong placebo effects can be induced by ritual. Indeed, in mainstream medicine, surgery is the treatment most surrounded by ritual; perhaps this is one reason it appears to be the most powerful placebo.


Nurse Smithers straightened Dr. Baumgartner’s feathered head dress. it had slipped down below the caduceus so carefully painted on his forehead by the medical ritual staff. The MR (Medical Ritual) dressing room looked more like the backstage at a Broadway show— racks of costumes, shelves piled high with musical instruments, makeup artists and hair stylists scurried about helping physicians prepare their illusions. It was a far cry from the old days before doctors finally understood what healing was all about—illusion. It was illusions that kept the patient’s belief system functioning and if the patient really believed, they were practically cured.
Ritual was Placebo General’s way of maximizing the curative powers locked away in each patient’s own belief system. Modern medicine was all about placebos much to the chagrin of big pharma. There was precious little money to be made from a science fiction set and a shot of salt water. These days medical treatment was more show than substance. If the patient believed he was being cured, his mind took care of the rest. His attending physician, Dr. Baumgartner, knew that the contents of the syringe he was holding was not nearly as important to the patient’s recovery than the ritual that preceded it.
In this case, the patient, Mr. Louis Silverblank, a portly 60 year old from New Jersey, was just waking up from his placebo heart surgery and was expecting a shot of painkiller. His pre-surgical work up revealed that Mr. Silverblank was superstitious and distrusted modern medicine. He tended to a strong belief in more primitive forms of treatment. As a result, his surgical team dressed for the occasion in a combination of Haitian Voodoo and Amazon rain forest garb. His surgeon, Dr. Numsey, performed the operation in a sterile loin cloth and body paint. Numsey was highly regarded throughout the region as a master of the elaborate and effective primitive scenario.
Nurse Smithers, herself dressed in a flowing muumuu with a colorful tropical theme and a hat filled with colorful fruits, began a rhythmic beating on a small drum hung around her neck. Dr. Baumgartner accented her rhythm with staccato shakes of a rattle made from a tortoise shell. Together they entered Silverblank’s room in a shuffling Samba chanting in a language no one present understood. A semi conscious Silverblank seemed impressed by the ceremony and felt much improved just watching the medicos working so hard to stimulate his trust. Nodding his head to the rhythm he gave nurse Smithers a shy smile.
His smile increased as Dr. Baumgartner raised the syringe high in the air and called upon the mystic forces of healing to flow into it. Nurse Smithers beat a furious crescendo on the drum. Dr. Baumgartner turned around three times, produced a puff of smoke from his palms and injected the saline solution into Silverblank’s enormous rump. Mr. Silverblank heaved a blissful sigh and lapsed back into sleep.
Dr. Baumgartner and Nurse Smithers turned and left the sleeping Silverblank’s room and hurried down the corridor to the MR ready room. They had to change out of their feathers and beads into a futuristic costume consisting entirely of chrome and plastic prosthetics. Nurse Smithers donned an android mask while Dr. Baumgartner slipped into a breastplate filled with flashing lights and gauges and hurried off to operating theater 4, the Doctor From Tomorrow set. Mrs. Hackman was having her gall bladder removed or at least thought she was.

© Harris Tobias 2011

Harris Tobias was raised by robots disguised as New Yorkers. Despite an awkward childhood he learned to read and write. To date Mr. Tobias has published two detective novels, The Greer Agency and A Felony of Birds, to critical acclaim. In addition he has published short stories in Down in the Dirt Magazine, Literal Translations, Electric Flash and Ray Gun Revival. He currently lives and writes in Charlottesville, Virginia.

Wednesday, June 15, 2011

Writer: Harris Tobias

The Blob—A Memoir

First off, I want to apologize to my fans. I’ve been in seclusion since my failed comeback in an unfortunate remake of my 1958 classic, The Blob. The 1988 release of the Return of The Blob was a big mistake, and for that I take full responsibility. I have been brooding over that fiasco in my Beverly Hills mansion ever since. Ashamed and addicted to alcohol and pain pills, it took years of therapy to undo the damage to my self-esteem. I am proud to say I am currently clear headed and drug free. One day at a time.
When my last film flopped, I went into a downward spiral. I blamed my writer, my director, everyone but myself. I went on an eating binge and gained a lot of weight. I really became a blob. My affairs and divorces were sensational scandals and dominated the tabloids for months. My life was a mess. There is no need to go into all of that here, suffice it to say, I retired from public view and went into a 30-year sulk. Today, for the first time, I feel as though I can talk about my career without remorse. I would like this memoir to be my first step on the comeback trail.
The world has changed so much since 1958. Those were the Eisenhower years and, when I look back, I can see just how innocent we all were. In those days it was enough to simply eat a few citizens to strike terror into an entire town. Those were the golden years to be a monster in Tinsel Town.
That’s not to say it was easy to get work; there were always younger, hungrier monsters waiting to eat my lunch. I had some stiff competition—The Creature from the Black Lagoon, The Thing, It Came From Outer Space, even Godzilla were all there, competing for scripts and headlines. But as frightening as those monsters were, they weren’t The Blob. I was the big cheese, the go-to guy, the monster with the cult following. I had a lot of offers. My agent begged me to audition. I turned them all down. Looking back, I regret my foolish pride.
The competition was purely professional, though. Off camera we all were friends. We hung out together. Sure we had different styles, different histories, but we were there for each other. We were pretty close, as close as celebrities can be. We shared scripts, starlets, saw each other socially, and played golf. None of the kind of sniping and backbiting so common today. We took care of each other. We had a lot in common.
But tastes change faster than an actor can adapt. The public wanted fresh thrills—creatures from space, big, dumb monsters that killed without reason, mutant insects that just ate and ate without the slightest feeling. Monsters today have it easy. Modern screen techniques do all the work, all a monster has to do is snarl and show its teeth and the technicians do the rest. In the old days we really had to work to make look it real. Now some guy at a keyboard just pushes a few buttons. Sure some victim gets torn to shreds, and you hear the bones crunch and his brains pop out of his ears, but it isn’t real. It has no integrity. It isn’t all that scary and it certainly isn’t acting. Where’s the art? When I ate someone, I felt it and the audience felt it too. And we did it in black and white. I’m not saying monsters were kinder then, but somehow we were more human.
A fickle public began demanding less gore and more relevance in its monsters. Young monsters, raised on Stanislavski, were only too happy to oblige. Hollywood spawned sexy monsters, monsters with motives, monsters with angst for Pete’s sake, as if being eaten alive wasn’t horrifying enough, you had to care what his motivations were. It was the era of method acting and it spilled over to our kind. Personally I thought it was a lot of silliness—a monster needs motivation, since when?
I don’t think much of today’s monsters; I would ingest the whole lot of them and not even burp. Aliens, mutants, zombies—fah!—the whole lot of them are no match for The Blob in his prime. These days, I don’t know, I hardly eat anyone; I guess I’ve mellowed.
My last film, the 1988 re-make of my cult classic, was a disaster. I admit it. I co-wrote the screenplay with the late, great Oscar Heimlich. It was a good gut wrenching eat 'em up. It was our producer Leonard Malcontent’s idea to give the movie relevance. He saw me as a symbol, a vehicle to deliver a more subtle message—to reveal the dangers of Communism and explore the nature of good and evil. Heimlich and I wanted a straight forward monster movie filled with panic and confusion; an innocent town held hostage by an unquenchable menace, innocent townsfolk disappearing one by one or in small batches until the terrifying conclusion. That’s the role I was born to play. Fuck subtlety. But Malcontent insisted on a subtext and that was the movie’s undoing.
The producer’s insistence on substance over action confused the audience, and resulted in hiring the wrong director, choosing the wrong cast and setting the whole movie in the wrong location. I mean, after all, what can you do to Newark, New Jersey to make it more terrifying than it already is? My artistic voice was muffled and the result was both predictable and inevitable—instead of a tawdry monster flick played for cheap thrills and maximum shock value, we got a half-baked psychodrama that convinced no one. It went directly to the drive-in theaters. Where it died a well-deserved death. The reviews were so bad I swore off acting and began drinking.
I still have my fans, and for that I am eternally grateful. They have stuck with me all these years. It is because of them that I have cleaned up my act and am exploring some new opportunities. I have a new agent and am working on a screenplay. I don’t want to say too much about it, but it could be the beginning of an HBO miniseries on bullying, urban violence and the nature of good and evil.

© Harris Tobias 2011

Harris Tobias was raised by robots disguised as New Yorkers. Despite an awkward childhood he learned to read and write. To date Mr. Tobias has published two detective novels, The Greer Agency and A Felony of Birds, to critical acclaim. In addition he has published short stories in Down in the Dirt Magazine, Literal Translations, Electric Flash and Ray Gun Revival. He currently lives and writes in Charlottesville, Virginia.

Wednesday, May 18, 2011

Writer: Harris Tobias

Crown of Thorns

I must have been a genius when I was my original self but, of course, that was quite a few jumps ago. All I have left of that original me is my memory of the jumper box and the crowns. The me that made them must have been awfully smart. He must have known a lot about neurology, biology, physics and a half a dozen other disciplines but, as fate would have it, the world is not likely to know of this invention.
Allow me to introduce myself, my name is Benjamin Donald Dapp, I think I was Doctor Dapp at one time but who remembers? What I did was build this device that switches minds from one brain to another. I’d been working on it for years and I’m sure it was Nobel Prize winning science but there’s little likelihood that I’ll ever see any reward for my breakthrough. Sometimes it’s best not to experiment on yourself.
The principle of the jumper is simple even if the actual electronics are not. One crown goes on one head and one crown goes on another. A button is pushed and consciousness is switched just like that. No big crackling machinery, no lights dim, not even a hum. The jumper is smaller than a pack of Marlboros and uses regular double A batteries. Pretty neat invention if I do say so myself.
I was so focused on the equipment I never even considered the psychological toll switching minds would have on the individual. When the jumper was ready, my first volunteer was my faithful and loving wife, Myrtle. She trusted me completely. We lay side by side on the bed and put on our crowns and pushed the button together. In an instant, I was Myrtle and she was me. I saw the world through her big blue eyes, I had access to all her memories and, I assume, she had access to all of mine. Almost simultaneously our hands rose to our mouths as our most hidden thoughts and actions were revealed.
I saw Myrtle’s youthful indiscretions, her torrid affair with the milkman, and her frustration at our marriage. Her loneliness and pain while I frittered away our relationship spending more time in the basement than with our daughter, Doreen, who it turned out, had none of my DNA.
Myrtle saw my masturbatory fantasies and addiction to Internet porn. She knew my curious proclivity for sock puppets and my real opinion of her poetry. Needless to say, we switched back as soon as we could. The marriage has never been the same since.
I went back to my workbench and rewired the box adding a few filters to keep deep secrets from rushing in immediately. When it was ready, I was eager to test it out and went next door to my friend and neighbor, Reggie Phelps. Reggie is a good guy, quite a bit older than me but supportive in my work and flattered to be of help. We sat side by side in his living room and put the crowns on our heads. In a second I was Reggie and he was me. It only took an instant to see that I made a terrible mistake. Reggie’s life was a horror show. What was worse was that he wouldn’t switch back. He grabbed up the jumper and the crowns and ran off to my house leaving me stranded in his shoes, his life and his aging body.
Almost immediately his enormous shrew of a wife, Josephine, came home angry at the world and heaping abuse on everyone and everything. I could see that Reggie loathed her and the rest of his life. “What was that weasel Dapp doing here?” Josephine sneered.
“Nothing, dear,” my cowardly answer came out reflexively.
“I don’t trust that creepy little snot. I want you to keep away from him.”
“Oh Ben’s not a bad guy,” I said.
“Like you could judge,” Josephine bore down on me like a freight train. ”Go change your clothes, the Dimmerman’s will be here at three.”
I wanted to get back to my house and get my jumper back but Josephine had spoken and I disobeyed at my peril. Dinner with the Dimmerman’s was excruciating in both its length and mind numbing dullness. I made a mental note never to jump into Dan Dimmerman’s head. Dan was an insurance adjuster with a side interest in algae. When dinner was over Josephine dragged me upstairs and demanded I service her. I found her body revolting but she seemed to enjoy herself saying, “I don’t know what’s gotten in to you, Muffkins, but I like it.”
As soon as I could I slipped out of bed and snuck over to my house. I stole up the steps to find my body in bed with Myrtle. I was immediately consumed with jealousy. I left them sleeping and began searching my house for the jumper. I must have been making more noise than I thought because I heard Myrtle wake up and send me downstairs to investigate. What transpired was an ugly confrontation between Reggie and myself in barely suppressed whispers.
“Where is it?’ I wanted to know. “It’s mine and I want it back.”
“I hid it,” Reggie said, “I’m never going back to that harridan. I like Myrtle. I like your body, I like your life. What’s that old expression about walking a mile in another man’s shoes?”
I was steaming mad. Our voices must have been rising because I heard Myrtle call down the stairs, “Is everything all right honey?”
“Everything’s fine,” we both said together. Then I glared at myself and reached Reggie’s old hands up to strangle my neck.” Reggie simply brushed my attack aside and whispered, “Get out of my house before I call the police.”
“Your house? Why you, you henpecked old fart,” again I lunged for his throat and again he batted me aside. He grabbed my pajamas in a tight fist and pulled my face until we were nose to nose.
“Listen up Dapp, you’re me now and I’m you and nothing’s going to change that. Now be a good little Muffkins and go back to Josephine and leave me alone. Oh and one more thing, what’s this with the sock puppets?”
I was totally humiliated. The next few weeks revealed just how awful a life can get. Josephine was a bully and a sexual tyrant. I felt like one of those exotic fish that are reduced to nothing more than a pair of testicles on the body of an enormous female. In addition to his haranguing wife, Reggie’s grown children hated him and he hated them. Reggie’s only joy came from working in his yard. Digging and weeding along side his friend, Jesus, a laborer dropped off by the lawn service twice a week. I personally never cared for gardening but I soon came to appreciate the respite it gave me and Jesus did seem like a nice guy although our communication was limited by our poor knowledge of each other’s language.
While I planted tulips, I plotted how to get my life back. I kept a close watch on the house. Reggie was having fun, that was obvious. I could see him being a good father to Doreen and a caring husband to Myrtle. I hated his guts and planned my revenge. I waited until Reggie took my family on an outing and my house was empty. I let myself in and ransacked the place looking for the jumper. After hours of searching, I finally found it in the garage under a pile of old Hustler magazines. I was just about to take the equipment back to Reggie’s house when the garage door popped open and there they were. Reggie, Doreen and Myrtle all staring at me stuffing something in my shirt.
Reggie acted outraged and demanded his equipment back. Myrtle hustled Doreen inside to call the police. Reggie attacked me and easily overpowered me, ripping the jumper out of my shirt while sitting on my stomach. He let me up when Myrtle called out to tell him that the police were on their way. Indeed I could hear a siren waling in the distance. In desperation I grabbed a big wrench off the wall and fetched Reggie a mighty blow on his head. He went down like a bag of cement. There was a lot of blood, Doreen fainted, Myrtle screamed, the siren was only a few blocks away. I grabbed the jumper from Reggie’s hands and ran down the street toward his house. What had I done? I might have killed myself or was it Reggie? There was no time to examine the philosophical implications of what I’d done. I had to escape.
As I ran home I saw Jesus weeding the azaleas. I went up to him and pantomimed and gesticulated that I wanted him to put on the crown. “Bueno para los flores (good for the flowers)” I said in my high school Spanish. Good friend that he was, Jesus put on the crown and I did the same. In less time than it takes to tell, I was in Jesus’ head and the cop was coming over to arrest the bewildered guy. Jesus turned out to be a fortunate choice, as he couldn’t really explain that he wasn’t Reggie. The cop cuffed him and put him in the back of the squad car while the poor guy jabbered away in Spanish. They probably thought he was crazy as well as dangerous.
For my part I had a lithe young body, brown skin and a craving for tortillas. Best of all, I was free of Josephine and that hate filled family. It was a nasty thing to do to Jesus but I was sure it would all get straightened out in the end. I went back to weeding and after a while Josephine came out looking for Reggie. She asked me if I’d seen him. It was a real pleasure giving her a big dumb shrug like I didn’t understand a word she was saying.
Jesus’ life was dirty and unpleasant. The lawn service treated him like dirt stealing half his wages because he was illegal. What little he earned he sent most of it back to his extended family in Honduras. The only bright spot in this whole mess was that I had the jumper back and, if my body survived, I might be able to make things right.
I continued working for the lawn service and watching the comings and goings of both families. Josephine hired a lawyer to defend Jesus against the assault charge. She and the hateful children visited him in jail. I even saw her studying Spanish so that she could speak to him. She practiced some phrases on me but this time I really didn’t understand a word she was saying.
Myrtle and Doreen went to the hospital daily to visit the unconscious Reggie. I wanted to know how he was doing so I asked Myrtle in my most heavily accented English, “how Meester Dopp doing?” Myrtle said, “not good,” and burst into tears. I thought about going to the hospital myself and switching back into my own unconscious head. If I had to be a vegetable for the rest of my life then so be it. But before I could formulate a plan of action, fate intervened and I became even further removed from my self.
Fate materialized in the form of the INS. I was arrested in an immigration sweep and taken to a crowded holding cell somewhere. My jumper was taken away and I never saw it again. I was at more of a disadvantage than the ordinary illegal alien as my rudimentary Spanish made me seem especially stupid. I could speak to the immigration lawyers in fluent English but that would only blow my cover. The long and short of it was that I was deported to San Espirito. Honduras. where I was warmly received by Jesus’ family.
So here I sit in my mud hut in San Espirito. I have six children and a host of aging aunts and uncles. We all live together in a single room with a dirt floor and an open fire. We go to mass on Sunday where I fervently pray for a miracle. I work our pitiful plot of land but life is very hard. One bright spot is that my Spanish has improved considerably. I often wonder how my old body is doing. If Reggie regains consciousness, I hope that he and Myrtle have a good life together. As for Jesus, stuck in Reggie’s old body, it has to be a pretty weird scene. If he gets off with good behavior he might enjoy living with Josephine. I don’t expect to see him show up here anytime soon.
As for me, well I am tired and undernourished. I may very well be a genius but there’s no opportunity to use any of my talents here. I suppose there is a moral in this tale someplace and maybe with enough reflection it will come to me. In the meantime there’s corn to plant and a dozen hungry mouths to feed.

© Harris Tobias 2011

Harris Tobias was raised by robots disguised as New Yorkers. Despite an awkward childhood he learned to read and write. To date Mr. Tobias has published two detective novels, The Greer Agency and A Felony of Birds, to critical acclaim. In addition he has published short stories in Down in the Dirt Magazine, Literal Translations, Electric Flash and Ray Gun Revival. He currently lives and writes in Charlottesville, Virginia.

Wednesday, March 9, 2011

Guest Writer: Harris Tobias

The Travel Agent

“Well, there’s no time like the present you know?” Lorna Trabish leaned on her desk for emphasis and opened the brochure. A full figured woman in her early sixties, Lorna looked the part of the eager to please travel agent. “We have tours to fit every budget and every activity level. She eyed the heavyset couple sitting across from her and gave them a dazzling capped tooth smile.
“You could visit the pyramids. We’re having a big promotion right now—two for the price of one. A tremendous savings. It’s filling up fast. You get to be a part of a slave gang and actually help build the pyramids. Just think of the stories you can tell your friends. It’s very exciting. We have a wonderful guide who will be your overseer. You get to live with a slave family and...”
“I don’t think that’s for us,” interjected Myrna Crump who had been leafing through the brochure during Lorna’s breathless pitch. “Lester doesn’t like the sun.”
“Perhaps something a bit more luxurious,” suggested Lester Crump who was trying to picture Myrna pulling a twenty ton block of sandstone across the desert in her high heels.
“I have just the thing,” chirped the irrepressible agent. “Have you been to Rome? I’m talking about ancient Rome. It’s part of our two week Classics Tour package. A week in Ancient Greece and a week in Rome. You get to hear some of the ancient world’s great orators—Seneca, Plato, Marcus Arelius. A day at the coliseum and a big Roman feast on the last night.”
“Mmm, I don’t know,” said Myrna. “Togas make me look fat.”
“And I heard about that Roman feast from our neighbor,” said Lester in his most confidential tone. “He said it turned into an orgy.” He gave Lorna a lascivious wink.
“Well,” said an embarrassed Lorna, “I hope that wasn’t one of our tours.”
“I think it was Tick Tock Travel.”
“Well, that’s a relief. They’re a low budget outfit and, like so much in life, you get what you pay for.” Lorna was relieved and recovered her poise. "I can assure you our feast is with a better class of people.”
The Crumps exchanged looks and silently congratulated themselves for choosing Temporal Tours even though it cost a good deal more.
“Are you interested in something of a religious nature?” asked Lorna hopefully. “We have a few openings left for the crucifixion.”
“We’re Jewish,” said Myrna.
“Oh. Well then how about joining the Israelites on their wandering in the desert?”
“What’s with you and deserts?” asked Lester. “We told you I can’t take the sun. I burn very easily then I peel.”
“It almost ruined our last vacation,” added Myrna. “We were watching the Aztec coronation in Palenque. We were standing in the crowd and Lester forgot his hat and all that sun. It was just too much. We had to leave and missed the whole human sacrifice and the party afterwards.”
“Maybe something a little more northerly, then,” said Lorna mentally scrambling for a cooler scenario. “I have just the thing,” she pointed to a page in the brochure. “The Camelot package. It’s perfect. Fourth century England, nice and cool. Lovely costumes. Atrocious table manners but that’s all over the ancient world. Let’s see, there are jousting tournaments, and combat for the men and wandering minstrels and a dance around the maypole for the women. Now doesn’t that sound exciting?”
The Crumps looked at each other and 32 years of knowing flashed between them in a glance. “Sounds good,” said Myrna, “tell us more.”
“Well, you arrive at the end of April for the wedding and participate in the festivities. You’ll be in period costumes, of course. We have an excellent guide who will explain the quaint customs. There’ll be lots of celebrating, music and dancing in the streets. It’s very exciting. You’ll be staying in a five star Inn that we’ve completely renovated to the highest local standards which will give you a first hand taste of life at that time— generally filthy, superstitious and brutal. I know you’ll love it.”
“Will we get to see King Arthur?” asked Lester who considered himself pretty knowledgeable on that time in history having once read an excerpt from the Song of Roland in seventh grade.
“We can’t guarantee you’ll get closer than 500 feet, but you’ll definitely get to see the royal couple at the wedding.”
“What about crowds?” asked Myrna, “I get claustrophobic in crowds.”
“Well, it is a popular destination. I dare say that half the people there will be time tourists like yourselves. There’s nothing we can do about it, it’s the peak season and the past is public property.”
“I wouldn’t mind something a little less public. I’ve heard about private tours,” said Myrna. “Surely Temporal Travel offers private packages.”
“Oh we do. Of course we do,” Lorna was happy to pitch private tours. They cost a fortune and the commissions were, how would you put it, huge. “They’re our specialty.”
Lorna reached into her desk and pulled out another brochure. It was bound in leather and was made to impress. “I have to warn you that our private tours set the standard in the time travel industry. No one does it better. Here, let me show you.”

After another grueling hour of suggesting and rejecting, the Crumps were ready to sign. With Lorna’s help, they had settled on a private tour to 18th century France. They would have a room at Versailles an audience with Louis XVI and Marie Antoinette. Their personal guide would be a well regarded professor of the period who would make the whole experience even more real than it already was. The only problem was the timing. By their nature, private tours were not shared with the time traveling public; only certain dates in the past were available and most of them were already booked.
“We have an opening in July 1793. My book says it’s cutting things a little close with the political ferment and all, but it’s the only date still open. Besides, a little local politics might not be a bad thing. The French revolution was such an exciting time after all and I’m sure Professor Nichols will keep you safe. We’ve never lost a customer yet, you know.” Here Lorna gave a little giggle, “and we don’t intend to start now. If worse comes to worse your guide will have the latest in emergency extraction technology.”
Lorna flashed her white capped smile and segued away from the unpleasant subject of personal danger launching into a detailed recital of the beautiful clothing worn at court, the delights of French cuisine and the splendors of Versailles. By the time she was through, the Crumps were hooked and ready to leave right then and there.
“Of course you can leave at your convenience. Professor Nichols is available, let me see, pretty much for the rest of the month. So should I call him and book?”
Myrna and Lester exchanged looks. Lorna held her breath. “Okay, sure, let’s book it,” said Myrna.
“You only live once,” added Lester.
“Great,” Lorna exhaled and beamed.

The Crumps and Professor Nichols materialized in a Paris Park. Myrna was dressed in the latest fashion. Her mousy brown hair piled under an enormous silver wig, her dowdy figure concealed beneath a magnificent silk dress embroidered with pearls— she looked like a countess from a remote province visiting the city for the first time. The men also wore wigs and with their powdered faces looked like caricatures of themselves.
“Well, here we are,” said their guide. “I suggest we stroll around a bit while I point out some of the sights.”
“I’d like to see the Eiffel Tower,” said Myrna.
“I’m afraid that’s two hundred years in the future,” said the amused Nichols.
“The Louvre?”
“I can try to get us in but it doesn’t open to the public for a couple of years.”
“Well, what else is there?” Lester wanted to know.
Nichols was looking around. They were the only fashionable people in sight and the local peasants were eyeing them with scorn. One fat peasant was hurrying toward them yelling “Allez!”
“I have a better idea,” said their guide, “ perhaps we can take a cab around the city and I’ll point out some interesting sights.”
Professor Nichols hurried his charges to the nearest exit, flagged down a cab and instructed the driver to drive around the city. The driver balked until Nichols gave him some additional coins. They all piled into the cab and, with a snap of the reigns, their tour of the city began. Behind them an overweight peasant halted panting in the road having failed to stop them.
“What were you arguing about?” asked Lester.
“With the driver? He said there were demonstrations all over the city. He demanded extra money to take us. It’s an old trick to take advantage of gullible out of towners. Don’t give it a second thought.” The Crumps relaxed and Professor Nichols pointed out the historic buildings and the famous streets of the city. The Crumps were interested at first but their appetite for architecture soon faded and they began to grow restless. Sensing he was losing his audience, Professor Nichols suggested they stop at a sidewalk cafe and have a bite to eat. He dismissed the cab and found them a table on a busy boulevard.
Lunch was disturbed by a mob of several hundred peasants carrying banners proclaiming Liberté, Égalité, Fraternité. The boisterous mob surrounded the hapless Crumps. When Nichols attempted to explain that they were just visiting and had no political preferences, the peasants shouted them down and held them until members of the Paris Militia came and dragged the three away. They were accused of being anti-revolutionary. When it was revealed that the Crumps were foreigners, their fate was sealed. The militia escorted them to the hotel d’ville where a paranoid member of the Jacobin Committee of Public Safety charged them with crimes against the revolution, being monarchist sympathizers and spies for the English. It all happened so fast the Crumps thought it was just another exciting part of the tour. The crestfallen and worried look on Professor Nichols’ face quickly dispelled that notion.
“What’s wrong Professor,” asked Myrna, “you don’t look well.”
Nichols, lamenting the confiscation of his emergency retrieval device by the militia was quite beside himself. The prison guards ignored his demands for the device’s return considering it further proof of his monarchist sympathies. All he could say to the bewildered Crumps was, ”Be brave my friends.” Then he put his head in his hands and wept.
An hour later, the militia dragged all three to the guillotine where they were quickly and painlessly dispatched. It was a lot more local color than they bargained for.

When the Crumps and Professor Nichols failed to return, Lorna Trabish and the folks at Temporal Travel were forced to investigate. Theodore Wienstock, the agency’s portly owner, went back in time to look for them. He suspected that his clients may have been caught up in France’s revolutionary fervor. And so, dressed as a French peasant, he materialized in the same Paris park at roughly the same time as the Crumps. After a quick look around, he spotted them across the lawn. They were the only beautifully dressed people in sight. They were too far away to call so he hurried in their direction. He saw them turn toward the exit so he picked up his pace.
He ended up running and shouting in French for them to stop. “Allez, Allez,” he called but he watched them board a fancy cab and disappear down the street. He tried to run after them but was soon out of breath and forced to stop. When he tried to flag down a passing cab, the driver refused to stop. The next time Mr. Wienstock saw them, their heads were on display in the public square with a sign declaring them enemies of the revolution. There was nothing he could do but return to his own time and begin filling out the paperwork.

© Harris Tobias 2011

Harris Tobias was raised by robots disguised as New Yorkers. Despite an awkward childhood he learned to read and write. To date Mr. Tobias has published two detective novels, The Greer Agency and A Felony of Birds, to critical acclaim. In addition he has published short stories in Down in the Dirt Magazine, Literal Translations, Electric Flash and Ray Gun Revival. He currently lives and writes in Charlottesville, Virginia.

Monday, December 27, 2010

Guest Writer: Harris Tobias

Time Traveler

The future hasn’t happened yet
And the past has come and gone
There isn’t much a man can do
To mess around with time
You can’t go back and alter
A single word you said
You can’t undo the things you did
You can’t speak to the dead
You can wish that things were different
You can wish upon a star
But time is locked and shuttered
That’s just the way things are

So how do you explain this thing
I built inside my room
From bits of old computers
And a cell phone from my mom
I hooked the thing together then
I plugged the damn thing in
I thought that nothing happened
So I switched it on again

It flashed and popped and chattered
Then smoked and made a spark
I thought I’d popped a breaker
Cause everything went dark
I started down to check the fuse
To see what I had caused
But halfway down the staircase
I turned around and paused

Nothing looked the same
As it did an hour ago
It looked more like a house
A century old or so
What lamps there were were kerosene
Or maybe they were whale
The whole room looked like it came
From grandma’s garage sale

I went back upstairs and looked inside
Another room instead
Two people I had never seen
Were in my parent’s bed
I didn’t dare to wake them
there was nothing they could do
I was starting to get worried and
As my apprehension grew
I went back into my room
And quietly closed my door
I saw the lifeless pieces
Of my machine upon the floor
Without electric power,
I knew my goose was cooked
I’d never find an outlet
No matter how I looked
I guessed that I was stranded
A century in the past
I wanted to get out of there
And I had to get out fast
Before the household woke up
And forced me to explain
Exactly what I was doing there
They’d think I was insane
Even then they knew
Time travel was a dream
And who ever thought a kid
Could build a working time machine
The only thing that came to me
It popped into my mind
Was to gather up the pieces
And leave the house behind

I was leaving through the kitchen
When I noticed on the door
A calendar that gave the date
As 1894
I shut the door behind me
As quiet as a mouse
And walked through foggy streets
Until I could not see the house
I walked until I noticed that
The streets I walked down
Were not the streets of Philly
But of foggy London Town
Talk about a pickle
What was I to do
Lost a hundred years ago
In a place I never knew
I wracked my brains
I walked the streets
I didn’t have a clue
Then I had a bright idea
That rang some mental bells
There was one man in London then
His name was HG Wells
I’d read a lot about him
He wrote The Time Machine
He knew about time travel
He might have a scheme
To get me back to Philly
Back to mom and dad
I was getting desperate
Perhaps a little mad
I wandered aimless through the streets
How long I could not tell
I stopped and asked a bobby
If he knew of Mr. Wells
He didn’t but he helped me
Find the address in a book
He gave me directions, then
Walked off without a look
I don’t know if you understand
My predicament was strange
I dare not tamper with the past
Or the future might be changed
Just by talking to that Bobby
The fabric might be torn
And the future could be altered
So that I were never born

I walked through crooked streets
Gaslights relieved the dark
Several times I blundered
But I arrived at Regent’s Park
I found Hanover Terrace
And I knocked upon his door
It was late and he was angry
At least that is what I saw
I hurriedly explained my plight
He seemed to understand
He asked me in and offered tea
And made his one demand
“I want to see what brought you here
This device of yours
It’s hard to credit how it works
All the science it ignores.”
I showed him all the pieces
And how I thought it worked
When I mentioned electricity
I noticed that he jerked
To attention. Electricity it seems
Was something he was toying with
To power his machines.
It was something new he said
And was gratified to learn
That the future held such promise
Then he said that in return
For helping me get back home
I’d have to tell him tales
About my life in the future
And leave out no details
We talked all night, I told him
Of a world that was to come
He filled his notebook up with notes
And when we were done
He took me downstairs to his lab
And what a shock to see
So many strange devices
To produce electricity
I saw a Tesla coil
And some other things he had
I couldn’t name but I’d seen
In my High School physics lab
He hooked things up and turned things on
It stood my hair on end
He shook my hand and waved goodbye
I felt I’d made a friend
There was a mighty crackle
Then a flash and I was glad
To be back inside my Philly house
With dear old mom and dad
I couldn’t ever make it work again
No matter how I tried
The original would never work again
All the pieces had been fried.

It wasn’t till years later
When I was reading Wells
I marveled at how accurate
A future he foretells
I knew the reason he could see
A future so sublime
He had the notes he made that night
When I traveled back in time.
The future hasn’t happened yet
And the past is done and gone
There isn’t much a man can do
To mess around with time
You can’t go back and alter
A single word you said
You can’t undo the things you did
You can’t speak to the dead
You can wish that things were different
You can wish upon a star
But time is locked and shuttered
That’s just the way things are

© Harris Tobias 2010

Harris Tobias was raised by robots disguised as New Yorkers. Despite an awkward childhood he learned to read and write. To date Mr. Tobias has published two detective novels, The Greer Agency and A Felony of Birds, to critical acclaim. In addition he has published short stories in Down in the Dirt Magazine, Literal Translations, Electric Flash and Ray Gun Revival. He currently lives and writes in Charlottesville, Virginia.